Wednesday, 10 September 2008

Download Dave Liebman mp3






Dave Liebman
   

Artist: Dave Liebman: mp3 download


   Genre(s): 

Jazz

   







Discography:


Homage to John Coltrane
   

 Homage to John Coltrane

   Year: 1987   

Tracks: 10
Sweet Hands
   

 Sweet Hands

   Year: 1975   

Tracks: 7
Drum ode
   

 Drum ode

   Year: 1974   

Tracks: 7
Lookout Farm
   

 Lookout Farm

   Year: 1973   

Tracks: 3
Dave Liebman with Franco D'Andrea - 1990 - Nine Again [Red]
   

 Dave Liebman with Franco D'Andrea - 1990 - Nine Again [Red]

   Year:    

Tracks: 1
A Chromatic approach to Jazz Harmony and Melody
   

 A Chromatic approach to Jazz Harmony and Melody

   Year:    

Tracks: 57






Dave Liebman has developed through magazine to become i of the summit soprano saxophonists in jazz. A extremely single and explorative (still versatile) improviser wHO can elongate from bop to free, Liebman studied early on with Lennie Tristano and Charles Lloyd. He gained crucial receive playing with Ten Wheel Drive (1970), Elvin Jones (1971-1973), and Miles Davis' fusion mathematical radical (1973-1974). Liebman formed Lookout Farm in 1974, the commencement of several groups (including Quest in the 1980s) that teamed his reeds with piano player Richie Beirach. By the late '80s, he had largely dropped the tenor voice to boil down on treble and once in a while champagne flute, although he made a rare recording on tenor for Double-Time in 1995. Dave Liebman, wHO is very active in jazz education and has written several books, has recorded for a infinite issue of labels through the eld as a leader, including PM, ECM, Horizon, Timeless, Palo Alto, Impulse, Soul Note, Heads Up, Storyville, Owl, CMP, Red, and Candid.






Sunday, 31 August 2008

Taylor Swift's Got a Fan in Joe Jonas

Joe Jonas appears to be more than than simply friends with country singer Taylor Swift. At the very least, he's a devoted fan.


Joe, 19, accompanied Swift's concert at the Cruzan Amphitheatre in West Palm Beach, Fla., Sunday night, E! News has learned only. Swift, 18, was the opening act for Rascal Flatts.


"He arrived about five minutes before the show started and stood side by side to the soundboard," says Mishelle Rivera, assistant promotions director at Miami's Y100 radio station, who watched the concert just a few feet from the middle Jonas.


"He was wearying a Yankees baseball hat and nerve-wracking no to be noticed. He was really into the demonstrate. You could tell he was really focused on her."



























Rivera says that Joe rarely took his eyes off Swift during the entire hourlong set and that he immediately went backstage to see Swift following the show.


Joe took time off from his busy touring schedule to make the show. He played a concert with his brothers in Holmdel, N.J., Saturday night and tonight will play at the Verizon Wireless Amphitheater in Virginia Beach, Va.


Swift, who before in the week shot scenes with the Jonas boys in NYC for their newfangled movie, mentioned Joe in her most recent blog: "I�ve had an awful week, I�ve been in NYC

Thursday, 21 August 2008

Download Lillith mp3






Lillith
   

Artist: Lillith: mp3 download


   Genre(s): 

Metal: Gothic

   







Discography:


Survive the Cold Eternity
   

 Survive the Cold Eternity

   Year: 2002   

Tracks: 15






The combined efforts of producer Scott Gibbons and vocal subscriber Rachel Wilson, Lilith is an experimental electronic/dark ambient group with feet ingrained with equalize force in industrial and "power electronics." Unlike artists commonly associated with the latter iI genres, notwithstanding, Lilith's music is conceived from the standpoint of simpleness and resourcefulness, with Gibbons' artful approaching to the musical potentiality of terrene objects and exclusively identical minimum production slickness substituted for industrial/noise music's laconic, often messy cheek. A calibrate of the University of Chicago Master's programme in the Philosophy of Religion, Gibbons' undergrad and graduate careers were split betwixt books and unhindered improvisational outings, offset with the Chicago tout ensemble New Elementals, so solo as Nipple Runs and Laughingwind. The Elementals were as famed for their live performances (which often included expand costumes, dramatics, and pyrotechnics), and Gibbons has maintained his gustatory perception for last performance both as a solo artist and with Lilith.


Gibbons released respective self-produced tapes -- both with the Elementals, as well as under his solo guises -- before forming Lilith in 1991 with vocalist Rachel Wilson, with whom he'd worked periodically in the past. Like earlier material, Gibbons' Lilith tapes were dominated by an unsettling mixture of sparse, treated instruments and percussion, just with increasing truck apt to a heavily conceptual approach to ground good and unremarkable objects (rocks on Rock, spokesperson and hint on Agelaius phoeniceus). Unlike many sound hackers, yet, Gibbons prefers real time manipulation, with single-track studio improvisations restricting generational levelheaded experiments to placement and piece of music (although he does enjoyment computers, mainly for material time processing). Gibbons' Lilith material at long last began finding a bigger audience in 1992, with his first official pour forth, Stone, issued by the Belgian experimental label Sub Rosa, and he's since been featured on compiling releases side by side with such artists as Locust and David Toop. Gibbons' ongoing involvement in the extremes of spirituality and sex likewise stay on to inform his music, with themes derivation from Theosophy, Crowleyan numerology, and sexual aberration cropping up both in song-titles and conceptual motifs. 1999's isolationist symphonic music orchestra Field Notes marked his number one mercantile establishment for World Domination, a teaming that would only furnish one record album under the Lilith nickname. After operative on several other projects, Gibbons off back to his pet design and released Imagined Compositions for Water on Les Disques Hushush.






Monday, 11 August 2008

A. Kowalski and D. DeSantis and Di

A. Kowalski and D. DeSantis and Di   
Artist: A. Kowalski and D. DeSantis and Di

   Genre(s): 
Techno
   



Discography:


Reasons   
 Reasons

   Year: 2002   
Tracks: 10




 






Wednesday, 6 August 2008

'Tell No One' a word-of-mouth hit

Music Box Films scores with sleeper indie




Its title notwithstanding, "Tell No One" is becoming the word of mouth hit of the summer.

With almost no advertising, Guillaume Canet's superimposed mystery around a doctor wrongly suspected of kill his wife has, in a month of very limited discharge, earned $1.7 zillion and has still so far to fully widen. The movie has increased its box-office, oftentimes by impressive double-digit percentages, every week of its platform rollout.

But even more than surprising than the box office of the two-hour French-language film with a generally unknown contrive is the story of the company behind its U.S. button, Music Box Films, a startup distributer that grew out of a Chicago arthouse dramaturgy only last year.

The label's founder, a lawyer and real estate entrepreneur named William Schopf, came to the moving-picture show business most by prospect. He number 1 only owned the bulding in which Chicago's Music Box arthouse theater was housed, then took it over when the tenant moved out.

Last year, Schopf decided to become a distributor -- in part, he says, because it felt like a smarter way to expand than opening more theaters, simply in portion because he wanted to do something for his employees. "It seemed wish it would give some of the people world Health Organization worked for us more than career options," he said. Schopf likewise hired Palm Pictures stager Ed Arentz, who nowadays works full-time from New York.

After deuce micro-releases, the company picked up "Tell No One." The flick had a level of intrigue because it was based on Harlan Coben's bestselling novel. But it was passed over by some of the speciality divisions -- Arentz wonders if the film's commercial success in France worked against it -- opening up the door for a startup like Music Box.

Still, it took more than sextuplet months from when the company first gear showed interest last summer to close a plow with gross revenue agent Europa Corp.

In some ways, the movie's success has even surprised its distributor. "We were a little taken aback by how well the plastic film opened," Arentz said.

So what's driving ticket office? Strong reviews from the New York Times, L.A. Times and New Yorker have for sure helped, in particular with the film's elder demo. And the cinema does take a intimate genre that a host of conspiracy-minded mysteries and movies like "The Fugitive" have long dwelled in. Press years for Canet -- unusual for a small foreign film -- in New York and L.A. get also fueled interest.

But Arentz notes that there's only so much that commode be accounted for. "I've love to be capable to take credit for it but I don't think we've innovated as well significantly," he said. "I think you might regular call it a well-chosen accident."

Observers besides say one can't rebate the burden of timing. With summer movies bigger and splashier than ever, and studio specialty divisions cutting their slates, it's easier for an indie to slip between the cracks.

"Tell No One" is enough of a wagon-lit hit that a number of studios have even asked to borrow a print, presumably for remake rights (a deal Europa Corp. is said to be interested in making). The success has besides caused some specialty execs to appear to it it as a heartening tale in difficult times --even if it also (mildly) stirs other juices.

"One's competitive spirit is somewhat piqued when someone else else does well with a moving-picture show and you think 'Why didn't we have that?'" aforementioned Miramax head Daniel Battsek. "However, when you stand back and look at it from a general point-of-view, "Tell No One" shows that this thought that masses have stopped going to a certain kind of movie is just non right."

Music Box wants to react cautiously to the "Tell No One" gaolbreak. In the fall it will release another French film, Emmanuel Mouret's amorous comedy "Shall We Kiss?" and plans to stick to its plan for 4-6 indie and alien movies per year. "We don't want to make an overhead situation where we on the spur of the moment have to release films," Arentz said, adding, I've been suggesting that it's possible "Tell No One" may be the biggest movie we ever experience. And I think we'd be o.K. with that."


More info

Thursday, 26 June 2008

Joe Ely

Joe Ely   
Artist: Joe Ely

   Genre(s): 
Other
   Country
   Rock
   



Discography:


Silver City   
 Silver City

   Year: 2007   
Tracks: 10


Streets of Sin   
 Streets of Sin

   Year: 2003   
Tracks: 12


The Best of Joe Ely   
 The Best of Joe Ely

   Year: 2000   
Tracks: 20


Letter to Laredo   
 Letter to Laredo

   Year: 1995   
Tracks: 11


Musta Notta Gotta Lotta   
 Musta Notta Gotta Lotta

   Year: 1991   
Tracks: 1


Live at Liberty Lunch   
 Live at Liberty Lunch

   Year: 1990   
Tracks: 13




In the '70s, country & western was full of artists referred to as outlaws, mavericks world Health Organization bucked the stodgy Nashville music establishment by piece of writing their have songs, recording with their road bands, and producing their have records. The genre produced a cut of acts of the Apostles, simply Amarillo, TX, native Joe Ely epitomized the form. Unlike most of that era's vainglorious name calling, Ely remained a viable creative person. He got his start back up in the early '70s, functional with Butch Hancock and Jimmie Dale Gilmore in a chemical group called the Flatlanders. Their only record album didn't go far, and the group skint up. (Rounder reissued the record album in 1990.) Around the mid-'70s, Ely formed an eclecticist group that was able to swing from Cajun and western to honkie tonk stomps and rockabilly; they were signed to MCA in 1977. Ely released an eponymic debut that class, victimisation songs written by ex-Flatlanders Gilmore and Butch Hancock and throwing in some of his possess road-worn, oddly poetic originals. The side by side yr brought Honkey Tonk Masquerade, the cornerstone of Ely's legacy and unitary of modernistic country's most ambitious albums. Further albums (especially Resilient Shots, recorded during his European turn with the Clash) brought Ely to the tending of stone fans and netted enraptured reviews in area and bulge magazines (simply, cryptically, produced no hits). MCA dropped Ely in 1983, and he woodshedded until 1987, when the sovereign Hightone label signed him and released Nobleman of the Highway. Another Hightone album followed before Ely (whose influence was existence matt-up by the new spawn of land neo-traditionalists) re-signed with MCA, releasing some other live set and Love & Danger. Twistin' in the Wind followed in 1998, and Live at Antone's arrived two years later along with MCA Nashville's Topper Of compendium. Ely remained an up-and-coming and passionate live performer and an on occasion inspired songster, releasing Streets of Sin in 2003 on Rounder Records and entry his possess mark, Rack'em Records, with 2007's Happy Songs from Rattlesnake Gulch.





Faye Wong - Wong Bachchan Named Asias Sexiest Vegetarians

Kruder and Dorfmeister

Kruder and Dorfmeister   
Artist: Kruder and Dorfmeister

   Genre(s): 
Electronic
   Dance
   Trip-Hop
   



Discography:


The K&D Sessions   
 The K&D Sessions

   Year: 1999   
Tracks: 21


Count Basic Remixes   
 Count Basic Remixes

   Year: 1999   
Tracks: 13


G-Stoned   
 G-Stoned

   Year: 1996   
Tracks: 4


Conversions: A K&D Selection   
 Conversions: A K&D Selection

   Year: 1996   
Tracks: 10


A Journey Into Ambient Groove   
 A Journey Into Ambient Groove

   Year:    
Tracks: 1




The trip-hop production duad of Peter Kruder and Richard Dorfmeister has gained more than fame for its stellar remixes and DJ sets than as producers of its possess exercise. By engineering reworkings of tracks by a put of artists ranging from William Orbit and Bomb the Bass to Bone Thugs-N-Harmony and United Future Organization, the Austrian twosome became one and only of the nigh well-thought-of names in the dancefloor community.


Kruder & Dorfmeister's standing increased with the issue of two acclaimed 1996 DJ albums: Conversions for Spray/BMG and DJ Kicks for Belgium's Stud!o K7. After forming their possess G-Stone Records, the mate ground a distribution carry on with Quango and released the G-Stoned EP in mid-1996. Though they remained in use with remix exercise and DJ gigs during 1997, it wasn't until late 1998 that another release appeared, The Kruder & Dorfmeister Sessions. Dorfmeister as well appears in the side-project Tosca with Rupert Huber, spell Kruder released an album on G-Stoned in 1999 as Peace Orchestra. [Meet Also: Tosca, Peace Orchestra]





Counting Cards in Vegas

Bombay Sisters

Bombay Sisters   
Artist: Bombay Sisters

   Genre(s): 
Other
   Folk
   



Discography:


Sri Dattatreya Stotram   
 Sri Dattatreya Stotram

   Year: 1991   
Tracks: 9


Sri Lalitha Sahasranamam   
 Sri Lalitha Sahasranamam

   Year:    
Tracks: 2




 





Zar

Rhys Ifans - The Things They Say 8446

"(RHYS IFANS) is the best cook ever. He does these mad dishes that taste completely wonderful, like carrots poached in mandarin juice." Actress SIENNA MILLER admires her boyfriend's unusual taste in food.




See Also

The Worm Squirms in Court

Dennis RodmanDennis Rodman pleaded "no contest" to spousal battery in an L.A. court this morning.

In exchange for his plea, the Worm was sentenced to 36 months of probation, 45 days of roadside graffiti removal, one year of domestic violence counseling, and six months of drug and alcohol treatment.

The judge warned Dennis about acting like a fool in the future, telling him, "If I hear or see in the news that you have committed any more crimes -- you will go to jail."

Cops arrested the ex-baller in April after he and his girlfriend got into it after a night of drinking.






See Also

Velvet

Velvet   
Artist: Velvet

   Genre(s): 
Other
   



Discography:


10 Motivi   
 10 Motivi

   Year: 2005   
Tracks: 12


Cose Comuni   
 Cose Comuni

   Year: 2002   
Tracks: 12




 





Giorgio Moroder

Star Trek - Takei Picks Up Marriage License On Landmark Day


Former STAR TREK actor GEORGE TAKEI is "beyond delighted" to have obtained a marriage license - becoming one of the first homosexuals to pick up the historic document in California on Tuesday (17Jun08).

The star announced his plans to wed longtime partner Brad Altman the day after new legislation overturned a ban on same-sex marriages in the state last month (15May08).

Takei received his license from the City of West Hollywood on Tuesday morning, when the gay marriage ban was officially lifted.

And he is overjoyed to have finally been granted equal marriage rights to everyone else.

He tells People.com, "We are first and foremost beyond delighted! It's a landmark day.

"I started singing One Singular Sensation (after getting the license). (Brad) said, 'I love you' and I looked at him and said, 'I love you.'"

The couple plan to wed on 14 September (08).





See Also

Young Voters Broke Records In 2008 Primary Season, Nearly Doubling Turnout From 2000




The phenomenon was evident as early as the Iowa caucuses, and it proved to be a trend by Super Tuesday, but now that primary season is over, it's official: Young voters turned out in record numbers, casting a 6.5 million votes. This year's percentage of young voters was nearly double the turnout in 2000 (in the states that collected youth voting data in 2000), according to figures compiled by the Center for Information & Research on Civic Learning & Engagement (CIRCLE).

The combination of a hotly contested Democratic primary between Senators Hillary Clinton and Barack Obama and the from-the-depths surge to the top by Senator John McCain no doubt helped increase interest in the race among voters under age 30. The more than 6 million votes cast is a dramatic increase in youth voter turnout compared to the 2000 election and marks the first time the youth vote has risen in three consecutive election cycles since the voting age was lowered to 18 in 1971, according to CIRCLE.

"This primary season, the Millennials have gone to the polls in record numbers, showing they are an influential voting bloc in American politics," CIRCLE director Peter Levine said. "They realize what's at stake and the impact this election will have on their future and the future of our country."

Compared to 2000, when 9 percent of youth voters cast ballots in the primaries, in 2008, national youth-voter turnout was 17 percent (CIRCLE could not compare the vote in all states because many states did not do exit polling on youth vote in 2000 and 2004). In a sign of how the youth vote was up across the board, of the 17 states in which exit polls were conducted in 2000, 16 had increases in youth vote, with some seeing a tripling or quadrupling of numbers.

Among young Democrats, Obama was the candidate of choice, raking in the support of 60 percent of young voters overall and a majority in 32 of the 40 states. On the Republican side, though, the picture was less clear, with McCain (34 percent) barely edging out former Arkansas Governor Mike Huckabee (31 percent) and former Massachusetts Governor Mitt Romney (25 percent).

The numbers fit with national focus-group figures CIRCLE collected last fall, in which college students said they were deeply concerned about issues and ready to consider voting, as long as political leaders kept it on a positive tip and addressed real problems.

What do these numbers mean for the general election, now that the excitement over primaries has cooled?

"All key indicators and trends point to a predicted record turnout of young people voting this coming November," Levine said. "Now it's up to the candidates to run campaigns that address the real issues and concerns that young Americans care about, rather than the negative mudslinging tactics that have turned off young voters in the past."

Get informed! Head to Choose or Lose for nonstop coverage of the 2008 presidential election, including everything from the latest news on the candidates to on-the-ground multimedia reports from our 51 citizen journalists, MTV and MySpace's Presidential Dialogues, and much more.






See Also

Ridgewalkers Feat El

Ridgewalkers Feat El   
Artist: Ridgewalkers Feat El

   Genre(s): 
House
   



Discography:


Find Vinyl   
 Find Vinyl

   Year: 2004   
Tracks: 1




 





Pascal

Carcass

Carcass   
Artist: Carcass

   Genre(s): 
Metal: Heavy
   Rock
   Metal: Death,Black
   Rock: Thrash
   Rock: Grindcore
   



Discography:


Swansong (Remastered)   
 Swansong (Remastered)

   Year: 2004   
Tracks: 12


Flesh Ripping Sonic Torment   
 Flesh Ripping Sonic Torment

   Year: 2003   
Tracks: 28


Wake Up and Smell The Carcass   
 Wake Up and Smell The Carcass

   Year: 1996   
Tracks: 17


Swansong   
 Swansong

   Year: 1996   
Tracks: 12


Death 'n' Roll   
 Death 'n' Roll

   Year: 1994   
Tracks: 13


Heartwork   
 Heartwork

   Year: 1993   
Tracks: 10


Tools Of The Trade   
 Tools Of The Trade

   Year: 1992   
Tracks: 4


Necroticism - Descanting The Insalubrious   
 Necroticism - Descanting The Insalubrious

   Year: 1991   
Tracks: 11


Symphonies Of Sickness   
 Symphonies Of Sickness

   Year: 1989   
Tracks: 10


Reek Of Putrefaction   
 Reek Of Putrefaction

   Year: 1988   
Tracks: 22




Often considered one of grindcore's innovation fathers, Carcass were among the number one bands of the utmost alloy musical style to try a different lyrical attack -- one that reflected a fascination with surgical gadgets and peculiar words straight out of a mEd student's school text. Hailing from the same locale that spawned the Fab Four -- in case you lived under a rock for the past tense few decades, Liverpool -- Carcass were originally formed in 1985 by singer/guitarist Bill Steer (wHO would later play with Napalm Death) and drummer Ken Owen. By 1987, singer/bassist Jeff Walker had sign-language on with the band, resulting in a deal with Earache Records concisely later. The triple then issued a pair of full-lengths that ar often considered classics of the grindcore genre, 1988's Reek of Putrefaction and 1989's Symphonies of Sickness.


Concisely later the dawn of the '90s, Carcass expanded to a quartette, as Michael Amott sign-language on as second guitarist, resulting in deuce more favorites of the metal subway system, 1991's Necroticism: Descanting the Insalubrious and 1992's four-song EP Tools of the Trade. Whereas he once sang in a growl voice à la a dragon desperately in want of some Pepto-Bismol, Walker adoptive a somewhat more traditional metallic element tattle style, piece the lot was no longer afraid to allow Iron Maiden-esque guitar form accede the mix. The result was the group's major-label debut for Sony, 1994's Heartwork. Although Heartwork is probably Carcass' best-known album, fan response is often split evenly 'tween those world Health Organization sense the group had sold stunned with a more easily digestible well-grounded (quite comparable to thresh metal) and those wHO feel that it's one of the '90s great alloy releases.


Either way, Amott left the group around this time, and was replaced by Carlo Regadas for Carcass' last studio album, 1996's appropriately titled Swansong. The same year, a compilation of rarities was issued, Arouse Up and Smell the Carcass. Subsequently, Owen, Walker, and Regadas continued working together for a write under the Blackstar nominate; Amott formed both Spiritual Beggars and Arch Enemy; and Steer surprisingly formed a blues-rock power threesome, Firebird.






Will Smith - Will Smiths Daughter Not Fussed By Box Office Battle


LATEST: WILL SMITH's daughter WILLOW doesn't mind if her new film is beaten at the box office by her father's new release HANCOCK - as long as he continues to spoil her with "nice things".

The father and daughter duo are set to battle it out on the big screen when Smith's Hancock and seven-year-old Willow's film Kitt Kittredge: An American Girl hit U.S. cinemas on 2 July (08).

But the Men In Black star admits his little girl isn't too fussed if she loses out.

He says, "I just told her, 'Sweetheart, daddy loves you - but I've got to stop you at the box office.' She was like, 'Well daddy, you get us a lot of nice things, so you do what you have to do.'"





See Also